Friday, 8 November 2019

OCTOBER 2019 - FILMS +TV (HOME VIEWING)

A busy month out and about with the Cinema trips and caning the films and TV drama at home..... eight films and one 16 episode TV drama series watched in the month.



Manifest Season 1 (2018) - TV drama
Watched all 16 episodes in three separate bursts of bingeing.

I liked it, though kind of sensed early on (maybe when I heard that there was a second series in the offing) that we were destined for a cliffhanger ending and no real explanation for the freaky event - a plane taking off and according to the passengers landing in real time - four or five hours after they departed, and back in the world about five years later. I kind of got a LOST vibe from it.

I think I enjoyed the early episodes the most. The voices enabling the solving of several crimes and mysteries that were happening. I liked the paranoia present, especially when the FBI man was trying to get his hooks into our main character survivors. The thing kind of sagged a bit in the middle and towards the end. I got the feeling the team behind the series were longing it out. We could have got where we were going - somewhere which in fact is nowhere really, with the cliffhanger ending - a lot quicker.

Quite liked the actors involved, not that I knew any of them prior to this.
I expect I'll be tuning in for Season Two, whenever that might be.



From Wikipedia...

Manifest is an American supernatural drama television series, created by Jeff Rake, that premiered on September 24, 2018, on NBC. The series centers on the passengers and crew of a commercial airliner who suddenly reappear after being presumed dead for more than five years. It stars Melissa Roxburgh, Josh Dallas, Athena Karkanis, J. R. Ramirez, Luna Blaise, Jack Messina, and Parveen Kaur. In October 2018, NBC ordered an additional three episodes of the series, bringing the first season total up to 16 episodes. In April 2019, NBC renewed the series for a second season.

Premise

Montego Air Flight 828 from Jamaica to New York City experiences a brief period of severe turbulence. When they land, the passengers and crew learn that over five and a half years have passed while they were in the air, during which time they were presumed dead. As they reintegrate themselves into present-day society, the passengers begin to face the fact that their lives—and loved ones—are not the same as they were before, while they also begin to experience guiding voices and visions representing events yet to occur.



RoboCop (2014) - Netflix TV film

Browsing Netflix this popped up. I thought it was the original. I never even knew they remade the thing, not that I can recall too much about the first one anyway.

A decent hour and half's viewing. Didn't think much to Samuel L. Jackson. I usually like him, maybe it was the ultra-right wing persona of his character I disliked. Gary Oldman was very good. Isn't he always? Michael Keaton also features as well as RoboCop himself - Joel Kinnaman. You've got to feel for his family. I do think sometimes death is a lesser pain.

I would watch it again in another five years time.

From Wikipedia....

RoboCop is a 2014 American cyberpunk superhero film directed by José Padilha and written by Joshua Zetumer, Nick Schenk, Edward Neumeier and Michael Miner. It is a remake of the 1987 film of the same name also written by Neumeier and Miner. The film stars Joel Kinnaman as the title character, with Gary Oldman, Michael Keaton, Samuel L. Jackson, Abbie Cornish and Jackie Earle Haley in supporting roles.

Screen Gems first announced a remake in 2005, but it was halted one year later. Darren Aronofsky and David Self were originally assigned to direct and write the film, respectively, for a tentative 2010 release. The film was delayed numerous times, and Padilha signed on in 2011. In March 2012, Metro-Goldwyn-Mayer (successor company to Orion Pictures until September 11, 2014, the studio that released the original film) announced an August 2013 release, but that was then changed to February 2014. The principal characters were cast from March to July 2012. Principal photography began in September 2012 in Toronto[6] and Vancouver in Canada,[7] with additional locations in Hamilton, in Canada, and Detroit in the United States.

The film was released in the United States on February 12, 2014. RoboCop received mixed reviews, with praise for the performances, action, updates, style and political/media satire, but criticism for its lack of violence, social satire and humor compared to the original film, and grossed $242 million against its $100 million budget.




Northfork (2003) - DVD film

A charity shop DVD buy, so not too much lost on this one. Only the couple of hours of my life I won't get back. Hmm.... I like James Woods, though I don't see him too often these days. Loved him as James Ellroy's Lloyd Hopkins in Cop many years ago. I love Nick Nolte and I used to have the hots for Darryl Hannah, probably 30 years ago - Splash era.

I didn't really expect the fantastical-supernatural type undertones with the freaky family of angels. I was expecting a more rooted in reality kind of tale. It had it moments, but overall a disappointment and one that will be heading back in the direction from which it came - el pronto. Weird AF. My wife wasn't impressed at all.


From Google......

As Northfork, Montana, is being evacuated in preparation for a new dam, young Irwin (Duel Farnes) lies dying in a local orphanage, with Father Harlan (Nick Nolte) by his side, taking care of him. Also yet to leave are Willis (Mark Polish) and his father, Walter (James Woods), who head up the evacuation team. In a comatose state, Irwin has four angelic visitors who hope to find a way for him to leave Northfork, as it faces its demise in the haunting shadow of the dam.

Initial release: 21 January 2003
Director: Michael Polish
Box office: 1.6 million USD
Initial DVD release: 30 December 2003
Screenplay: Mark Polish, Michael Polish



Small Town Murder Songs (2010) - DVD film

Another one my wife didn't think too much of, but I really liked. It kind of gave off a Fargo-like vibe which was a big plus for me.

A small town (obviously), a murder (obviously) and a cop battling his rage, through religion, while still holding a flame for his ex, who's shacked up with a rough-un, who our cop suspects of the murder. Powerful performances throughout. I'd watch it again in a year or two. Undoubtedly on my own, unless my wife was in a full-on body cast and planted in front of the telly.

John Grant at Noirish offers a more considered and meaningful piece on the film here.
Cheers squire for the tip-off. I got the DVD as a Christmas present after reading about it over at his.


From Wikipedia.....

Small Town Murder Songs is a 2010 Canadian crime-thriller directed by Ed Gass-Donnelly. The film premiered at the Toronto International Film Festival on September 14, 2010. The film is written by Gass-Donnelly, produced by Gass-Donnelly and Lee Kim, and stars Peter Stormare, Jill Hennessy, and Martha Plimpton.






Cop Car (2015) - DVD film

I do like Kevin Bacon. It doesn't matter whether he's advertising a mobile phone network or throwing a few shapes in Footloose - I like him.

Kids, a stolen cop car, a body in the trunk, a dodgy cop with another body on his hands and a recovery mission. Funny, dark, violent, great acting, edge of the seat tension in places. What's not to like. Another keeper.

Thanks again to John Grant at Noirish for the heads-up. Again check out his more informative and considered piece here. Another Christmas DVD enjoyed.


From Google......

Two mischievous boys (James Freedson-Jackson, Hays Wellford) stumble upon a seemingly abandoned police cruiser and steal it, unaware that its murderous owner (Kevin Bacon) has stashed a hostage in the trunk.

Initial release: 24 January 2015
Director: Jon Watts
Budget: 5 million USD
Box office: 143,658 USD
Screenplay: Jon Watts, Christopher Ford



The Laundromat (2019) - Netflix TV film

Bit of a layman's explanation of the shenanigans the high and mighty get up. Practices brought into the light by the Panama Papers big reveal. A cool blend of fact, information, drama and comedy.

I liked this one......Gary Oldman (again), Meryl Streep and Antonio Banderas take us through the chicanery of high finance, tax evasion, avoidance and a helluva lot more. Greed fosters greed. Obscene and a scandal. Maybe the politicians should do something about it.

Oh wait a minute...... aren't they the fuckers taking advantage of it all?

Makes you feel very angry, but also impotent, powerless and extremely cynical.

From Wikipedia.......

The Laundromat is a 2019 American biographical comedy-drama film directed by Steven Soderbergh, with a screenplay by Scott Z. Burns. It stars Meryl Streep, Gary Oldman, Antonio Banderas, Jeffrey Wright, David Schwimmer, Matthias Schoenaerts, James Cromwell, and Sharon Stone.

The film had its world premiere at the Venice Film Festival on September 1, 2019. It was released theatrically on September 27, 2019, before being released for digital streaming on October 18, 2019, by Netflix. The film has received mixed reviews from critics.

Plot
The film follows Ellen Martin (Streep), whose dream vacation takes a wrong turn and leads her down a rabbit hole of shady dealings that can all be traced to one Panama City law firm, run by white collar criminals Jürgen Mossack (Oldman) and Ramón Fonseca (Banderas). In a shocking denouement she soon learns that her minor predicament is only a drop in the bucket of millions of files linking off-shore drug trafficking, tax evasion, bribery, and other illegal enterprises to the world's richest and most powerful political leaders.

The subplot of a wealthy man and his daughter bears strong reference to the events described in the April 2019 book, The Bouvier Affairs: A True Story, involving a network of trusts under a Russian oligarch's name in Cyprus. The book focuses on Dmitry Rybolovlev, his daughter, Ekaterina Rybolovleva, and his wife, Elena.




Fractured (2019) - Netflix TV film


Another very good film. I enjoyed Sam Worthington as the main lead. Fairly sure I have seen him in a few other things, though can't remember what for the life of me.

Tense with a healthy dose of paranoia throughout with Worthington either delusional or the victim of a conspiracy by a hospital involved in organ harvesting.


From Wikipedia...... (*spoiler alert - definitely do not read to the end of the plot summary if you want to watch the film in a state of happy ignorance)

Fractured is a 2019 American psychological thriller film directed by Brad Anderson from a screenplay by Alan B. McElroy. It stars Sam Worthington, Lily Rabe, Stephen Tobolowsky, Adjoa Andoh, and Lucy Capri.

The film had its world premiere at Fantastic Fest on September 22, 2019. It was released on October 11, 2019, by Netflix.

Filming took place from November 2018 to January 2019, in Winnipeg, Manitoba (Canada) and in surrounding areas.

Plot
Ray, along with his wife Joanne and daughter Peri, drive on a road trip for Thanksgiving. They take a break at a rest stop, where Ray and Peri fall into an open construction site and are injured. After rushing to the hospital, Joanne accompanies Peri to the basement to obtain a CT scan, while Ray waits in waiting room.

Ray passes out from exhaustion. After awakening hours later, he asks the hospital staff if he can see his wife and daughter, but is told they were never brought to the hospital.

Ray argues with the hospital staff, who all deny that his wife and daughter were ever admitted. Ray enlists the assistance of two police officers, but the hospital staff and doctors convince them Ray came to the hospital alone, was treated for a head wound, and is confused.

Unable to convince the staff and police of his story, Ray searches for his family on his own and eventually finds them in the sub-basement, just before his daughter is about to have her organs harvested. Ray fights with the hospital staff, causing an explosion, and escapes with his family.

However, as Ray drives away it is revealed that he is experiencing visual hallucinations from psychological trauma resulting from the incident earlier that day. In reality, Peri died from the fall, and Ray accidentally killed Joanne after pushing her. The trauma of realizing he'd killed his family caused Ray's mind to construct a new reality in which both his wife and daughter are alive. Ray believes he is rescuing them, but it is revealed that he has kidnapped a random patient from surgery, while his wife and daughter are lying dead in the trunk of his car.




Midnight Run (1988) - TV film
A flukey lucky TV recording after seeing someone on Twitter advertise it was airing.

A great film which I loved just as much this time around as I did 30 years ago when I watched it. Robert DeNiro is young, fresh-faced, handsome and very good and I like the bounce-off factor he shares with Charles Grodin.

A bounty hunter, the mob, a dodgy accountant and a plane, train and automobile trek across the country for our double act - pursued by the mob, a fellow bounty hunter and the FBI. What's not to like?

From Wikipedia.... (* spoiler alert - old Wikipedia like to give a detailed plot summary!)

Midnight Run is a 1988 American buddy cop action comedy film directed by Martin Brest and starring Robert De Niro and Charles Grodin. Yaphet Kotto, John Ashton, Dennis Farina, Joe Pantoliano, and Philip Baker Hall play supporting roles.

A critical and commercial success, the film was followed by The Midnight Run Action Pack in 1994, three made for television sequels which did not feature any of the principal actors, although a few characters are carried over from the first film.

Plot
Bounty hunter Jack Walsh is enlisted by bail bondsman Eddie Moscone to bring accountant Jonathan "The Duke" Mardukas back to Los Angeles. The accountant had embezzled $15 million from Chicago mob boss Jimmy Serrano before skipping on the $450,000 bail Moscone had posted for him. Walsh must bring Mardukas back within five days, or Moscone defaults. Moscone says the job is easy, a "midnight run," but Walsh demands $100,000. Walsh is then approached by FBI Agent Alonzo Mosely, who wants Mardukas to be a witness against Serrano and orders Walsh to keep away from Mardukas. Walsh takes no notice of this and instead steals Mosely's ID, which he uses to pass himself off as an FBI agent along his journey. Serrano's henchmen Tony and Joey offer Walsh $1 million to turn Mardukas over to them, but he turns them down.

Walsh captures Mardukas in New York City and calls Moscone from the airport, not knowing that Moscone's line is tapped by the FBI and that his assistant Jerry is secretly tipping off Serrano's men. However, Mardukas fakes a panic attack on the plane, forcing the two men to travel via train. When Walsh and Mardukas fail to show up in Los Angeles on time, Moscone brings in rival bounty hunter Marvin Dorfler to find them. Dorfler tracks them to the train and attempts to take The Duke from Walsh, but Walsh gets the drop on him and leaves the train. However, he discovers when he attempts to purchase bus tickets with a credit card that Dorfler canceled the card.

Without funds, he is forced to rely on other means to get across the country, including stealing cars, borrowing his ex-wife's car in Chicago, and hitchhiking. Meanwhile, word of the skirmish on the train reaches Mosely's ears and he leads a task force to find Walsh and Mardukas.

Walsh eventually reveals that, 10 years before, he was an undercover officer in Chicago trying to get close to a drug dealer who had almost the entire police force on his payroll. Eventually, just as Jack was going to bust the dealer, he had heroin planted in his house by corrupt cops. In order to avoid either going to prison or working for the dealer, Walsh resigned from the force, left Chicago and became a bounty hunter, while his wife divorced him and married a corrupt lieutenant. Since then, however, Walsh has clung to the vain hope that he will one day be reunited with his ex-wife. Later, Mardukas learns that the drug dealer was Serrano, with Walsh not caring about the likelihood of Mardukas getting murdered by the man who ruined Walsh's life.

In Arizona, Dorfler takes Mardukas away from Walsh, who is later found by Mosely and arrested. In Mosley's custody, Walsh is allowed his right to make phone calls and while arguing with Moscone over the phone, Walsh realizes that Dorfler intends to turn Mardukas over to Serrano for $2 million. However, Dorfler accidentally reveals to Serrano's men where he is keeping Mardukas and is knocked unconscious by Serrano's men, who go after Mardukas themselves.

Walsh calls Serrano's men and bluffs that he has computer disks created by Mardukas with enough information to put Serrano away, but promises to hand the disks over if Serrano returns Mardukas to him unharmed. Jack arranges a deal with Mosely to frame Serrano in turn for his release and to allow him to deliver Mardukas to Moscone. He meets up with Serrano while wearing a wire and being watched by the FBI. Dorfler spots Mardukas and interrupts the exchange, unknowingly disabling the wire. After Serrano takes the disks, the FBI closes in, arresting Serrano and his henchmen.

Mosely turns Mardukas over to Walsh with enough time to return him to Los Angeles before midnight. However, Walsh calls Moscone to confirm he's made the deadline, then promptly lets Mardukas go. Before parting, Walsh gives Mardukas the watch his wife gave him before their marriage. In return, Mardukas gives Walsh $300,000 in a money belt he had been hiding, insisting that it is a 'gift' not a payoff--since Walsh had already chosen to let him go. Walsh accepts and flags down a taxi, asking the driver if he has change for a $1,000 bill, but the taxi drives away, so he heads home on foot.




Harry Potter and the Deathly Hallows Part 2 (2011) - DVD film
My daughter made me watch it. I think it's probably my favourite after the first instalment - not least because it brings the wearisome saga to a finish. Voldemort dies don't you know.

There's a ritual in our house - at least twice a year, my youngest daughter insists on watching them start to finish in a viewing binge of a few days. I was conscripted to watch and pay attention to the last, despite having seen it and its unholy siblings many times previously. I think it's called taking one for the team.

Love Snape (Alan Rickman - RIP), love Ron Weasley (Rupert Grint), love Gary Oldman, the rest of the cast throughout the series probably features anyone who is anyone in British drama over the past 10-15 years. My favourite character or actor is Alan Rickman, followed by Neville Longbottom (Matthew Lewis), probably followed by Draco Malfoy (Tom Felton)

Roll on next year....

From Wikipedia.......

Harry Potter and the Deathly Hallows – Part 2 is a 2011 fantasy film directed by David Yates and distributed by Warner Bros. Pictures. It is the second of two cinematic parts based on J. K. Rowling's 2007 novel of the same name. The film, which is the eighth and final instalment in the Harry Potter series, was written by Steve Kloves and produced by David Heyman, David Barron, and Rowling. The story continues to follow Harry Potter's quest to find and destroy Lord Voldemort's Horcruxes in order to stop him once and for all.

The film stars Daniel Radcliffe as Harry Potter, alongside Rupert Grint and Emma Watson as Harry's best friends, Ron Weasley and Hermione Granger. Principal photography began on 19 February 2009, and was completed on 12 June 2010, with reshoots taking place in December 2010, more than ten years after filming started on the first instalment of the series. Part 2 was released in 2D, 3-D and IMAX cinemas worldwide from 13–15 July 2011, and is the only Harry Potter film to be released in 3-D.

The film became a commercial success and one of the best reviewed films of 2011, with praise for the acting, Yates's direction, musical score, visual effects, cinematography, action sequences, and the satisfying conclusion of the saga. At the box office, Part 2 claimed the worldwide opening weekend record, earning $483.2 million, as well as setting opening day and opening weekend records in various countries. Part 2 grossed over $1.3 billion worldwide and became the third-highest-grossing film of all time, as well as the highest-grossing film of 2011. As of 2019, it is the 12th-highest-grossing film of all time, the highest-grossing film in the Harry Potter series, as well as in the Wizarding World franchise, and the ninth film to gross over $1 billion. It is also the highest-grossing film of Warner Bros. and its parent company Warner Media.


Thursday, 7 November 2019

OCTOBER 2019 - FILMS (CINEMA)

A good time continued to be had by all with the cinema passes, 7 films in the month (and after a quick tot-up, a running total of 36 for the 6 months or so that we've had them.)

Wow, looking back it seems absolutely ages ago I saw some of these and in truth if I hadn't logged them down after watching them, I would struggle to remember some of them, which isn't to say I didn't enjoy them.



Hustlers (2019)


I don't know if this one is kind of based on a true story, I think I heard it was (from my daughter) or the closing credits might indicate as such, or I might be off my trolley and made it up.

Enjoyable overall. Jennifer Lopez looks a lot better than me at 50, say no more. 

I liked the film, but didn't feel the urge to see it again immediately afterwards and I haven't added the DVD to my Christmas list for Santa. Sometimes I kind of struggle to be convinced by nice girls as criminals or desperadoes. (Not in the case of The Kitchen, last month but definitely here.)

From Google.....

Working as a stripper to make ends meet, Destiny's life changes forever when she becomes friends with Ramona -- the club's top money earner. Ramona soon shows Destiny how to finagle her way around the wealthy Wall Street clientele who frequent the club. But when the 2008 economic collapse cuts into their profits, the gals and two other dancers devise a daring scheme to take their lives back.

Release date: 13 September 2019 (United Kingdom)
Director: Lorene Scafaria
Based on: "The Hustlers at Scores"; by Jessica Pressler
Producers: Jennifer Lopez, Will Ferrell, Adam McKay, Benny Medina, Jessica Elbaum, Elaine Goldsmith-Thomas


The Goldfinch (2019)
Apparently panned by the critics, but I really liked it. I had kind of toyed in previous years with reading Donna Tartt's book but was always put off by the length of it. I don't feel the urge to now.

I did read a similar book of a missing stolen/saved painting and its journey through the centuries, with Deon Meyer's short novella - The Woman in the Blue Cloak. I don't know whether I feel like he copied her homework now after watching the film, or maybe it's a homage or hat-tip.

Quite long, I don't think I knew the main character actor, but he was very good. Quite sad in places. Maybe a bit of a stretch with the conclusion and the taking back of control of the painting, I wasn't entirely convinced by that element. I'd definitely watch it again in a couple of years when it makes an appearance on TV. I always enjoy Sarah Paulson on screen and I quite like Luke Wilson as well, though he usually plays a good guy.


From Wikipedia...

The Goldfinch is a 2019 American drama film directed by John Crowley and written by Peter Straughan, adapted from the 2013 novel of the same name by Donna Tartt. The film stars Ansel Elgort as a young man whose life is transformed after his mother dies in a terrorist bomb attack at a museum, from which he takes a famous painting called The Goldfinch. Oakes Fegley, Aneurin Barnard, Finn Wolfhard, Sarah Paulson, Luke Wilson, Jeffrey Wright, and Nicole Kidman appear in supporting roles.

Film rights to the novel were sold to Warner Bros. and RatPac Entertainment with ICM Partners brokering the deal. Two years later, Crowley was hired to direct the film adaptation and Elgort was selected to portray the lead role of Theodore Decker; much of the rest of the cast joined from October 2017 to January 2018. Filming began in New York City in January 2018, before moving to Albuquerque in April 2018 for the rest of production.

The Goldfinch premiered at the 2019 Toronto International Film Festival and was theatrically released in the United States on September 13, 2019, by Warner Bros. Pictures. The film received generally negative reviews from critics and was a box-office bomb, with estimated losses for the studio as high as $50 million.




The Day Shall Come (2019)

Wasn't totally blown away by this one, though it certainly made me laugh in places. A bit weak and a bit flat overall though. Anna Kendrick plays an FBI agent trying to set up a poor preacher in a domestic terrorist sting. I liked the snidey competition and oneupmanship on display from the Bureau as well as the incompetence. And I quite liked the preacher man and his band of brothers, but the two together just didn't really gel for me.

From Google....

An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI, and the FBI plans on turning him into a criminal by fuelling his revolutionary dreams.

Release date: 11 October 2019 (United Kingdom)
Director: Chris Morris
Music by: Chris Morris; Sebastian Rochford; Jonathan Whitehead
Box office: 26,972 USD
Screenplay: Chris Morris, Jesse Armstrong



Abominable (2019)
Animation with a yeti, a mad scientist and a gang of teenagers. Enjoyable and I'm glad I was persuaded to watch it. Don't make me watch it again though, unless it with grandchildren in about 10 years time.

From Google...

After discovering a Yeti on the roof of her apartment building, teenage Yi and her two friends embark on an epic quest to reunite the magical creature with his family. But to do so, they must stay one step ahead of a wealthy financier and a determined zoologist who want to capture the beast for their own gain.
Release date: 11 October 2019 (United Kingdom)
Director: Jill Culton
Budget: 75 million USD
Box office: $128.7 million

Music composed by: Rupert Gregson-Williams




A Shaun the Sheep Movie: Farmageddon (2019)

Another one which I liked and didn't threaten to fall asleep during, but of the two animated films in the month I'd definitely pick Abominable above this one.

From Google....

When an alien possessing strange powers crash-lands near Mossy Bottom Farm, Shaun the Sheep quickly makes a new friend. Together they must run from a dangerous organisation who wants to capture the intergalactic visitor.

Release date: 18 October 2019 (United Kingdom)
Directors: Will Becher, Richard Phelan
Music composed by: Tom Howe
Distributed by: StudioCanal
Producer: Paul Kewley



Joker (2019)

WOW, WOW, FUCKING WOW. Believe the hype, I really loved this one. Joaquin Phoenix is incredible, intense, manic and a skinny bastard - I could only dream my stomach was half that size! My wife said he lost 3 stone for the role. Time to find my motivation.

I loved Robert DeNiro as well. I always do.

Funny, sad, violent..... my kind of film.

I did disagree with my daughter over whether Arthur's (Joker's) dad was the man his mother thought he was, or whether she was was actually delusional and very ill and it wasn't a cover-up-cum-conspiracy to hoodwink her. Maybe a second viewing would put that one to rest.

From Google...

Forever alone in a crowd, failed comedian Arthur Fleck seeks connection as he walks the streets of Gotham City. Arthur wears two masks -- the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he's part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.

Release date: 4 October 2019 (United Kingdom)
Director: Todd Phillips
Cinematography: Lawrence Sher
Box office: $776.7 million
Music composed by: Hildur Guðnadóttir



Terminator Dark Fate (2019)

Another one I had been looking forward to ever since the trailers started hitting the screen a while back. It didn't disappoint. I loved seeing Linda Hamilton back on the big screen and looking her age. I can't remember when I last saw her in anything. Arnie's back - obviously.

Another one with ticks in a lot of boxes. I liked the two young female leads, both of whom were unknown to me prior to this - Mackenzie Davis and Natalia Reyes. I liked Mr Terminator - Gabriel Luna - as well, not that he got to display his full emotional range here

I had hope to catch up with some of if not all of the earlier films in the series, but apparently I don't have copies. Maybe I did on video and that format has long bitten the dust. Never mind.



From Google....

In Mexico City, a newly modified liquid Terminator -- the Rev-9 model -- arrives from the future to kill a young factory worker named Dani Ramos. Also sent back in time is Grace, a hybrid cyborg human who must protect Ramos from the seemingly indestructible robotic assassin. But the two women soon find some much-needed help from a pair of unexpected allies -- seasoned warrior Sarah Connor and the T-800 Terminator.
Release date: 25 October 2019 (United Kingdom)
Director: Tim Miller
Based on: Characters; by James Cameron; Gale Anne Hurd
Budget: $160–200 million
Production companies: Paramount Pictures, Skydance Media, 20th Century Fox, Tencent Pictures, Lightstorm Entertainment



October League Table
1. Joker
2. Terminator Dark Fate
3. The Goldfinch
4. Abominable
5. The Day Shall Pass
6. Hustlers
7. A Shaun the Sheep Movie: Farmageddon


Another plus point in the month - we dodged the new Will Smith film. Saw the trailers and thought it looked like dog-shit - The Gemini Man if you're interested.

Tuesday, 5 November 2019

OCTOBER 2019 - THEATRE + COMEDY + MORE

A bit of a culture vulture last month with a trip to the capital for a couple of days with my wife.... kind of a combo mini break to celebrate another birthday.


Car to Highgate, London, park up, tube to the West End, lunch Leicester Square and a stroll around Covent Garden and Soho. Followed by.......

 School of Rock The Musical





I wasn't quite sure what to expect here. It was one of my children's favourite films growing up and I've lost count of the number of times we've watched it over the years. They'll still watch it to this day, given the chance.

An absolutely fantastic show, great seats - quite close to the action though a bit off to one side. The lead actor in the Jack Black film role - Dewey - brings a manic energy to the stage. I didn't buy a programme so couldn't tell you his name.

The musical remains quite faithful to the film, so we knew the songs and a few of the scenes in advance. I was happy the Stevie Nicks - Edge of Seventeen jukebox bit was in there. The kids in the cast were amazing. A real fun time was had.
School of Rock (2003)

Film synopsis from Google....


Overly enthusiastic guitarist Dewey Finn (Jack Black) gets thrown out of his bar band and finds himself in desperate need of work. Posing as a substitute music teacher at an elite private elementary school, he exposes his students to the hard rock gods he idolizes and emulates -- much to the consternation of the uptight principal (Joan Cusack). As he gets his privileged and precocious charges in touch with their inner rock 'n' roll animals, he imagines redemption at a local Battle of the Bands.










A bite to eat afterwards then back to Shaftesbury Avenue and the Comedy Carnival.

My son got us tickets in the form of a Virgin Voucher as a Christmas present. The voucher has a limited duration and which was redeemed on the last night before expiry.

I've only seen one comedian previously - Michael Barrymore at Caesar's in Luton, long before his fall from grace.

I knew enough to decline seats in the first couple of rows as I kind of think any comedian - audience interaction with me would have kind of spoiled my enjoyment of the show and I would have been on tenterhooks throughout. Far more relaxing to sit on row 10 in the shadows!



Line-up


I don't think I had seen any of these guys before on the TV, but all were very good, very funny with different subject matter in their routines. Comedy is obviously very subjective and not everything hit the mark.

More to like than not......... Brexit, sex, Facebook, Twitter, the NHS, grannies, toilet jokes, relationships, audience interaction, family, Australia, Eastern Europeans, tolerance, the weather, hedge fund managers, and a gazillion other things besides.

My favourite was Jack Hester, an Irish comedian. Followed by a tie between Bobby Mair and the MC who knitted the whole thing together - Pete Gionis

Freddy Quinne

Finlay Christie


Jack Hester
Pete Gionis

Bobby Mair

Pete Gionis on You Tube - https://www.youtube.com/watch?v=5qXw0XhXb7M

Bobby Mair on You Tube - https://www.youtube.com/watch?v=xvNoe0HZnVc

Freddy Quinne on You Tube - https://www.youtube.com/watch?v=2wDeQXwkVWI

Jack Hester on You Tube - https://www.youtube.com/watch?v=5FYvkO7We4o

Finlay Christie on You Tube - https://www.youtube.com/watch?v=VBcqpg5mWSY

Next day, a walk from Kensington through Hyde Park, past Princess Diana's Memorial Fountain and onto Oxford Street

I could see them setting up for Winter Wonderland which is one to avoid in about a month's time.















The last London outing was a photo exhibition at The Photographer's Gallery off Oxford Street

Shot in Soho ......well worth a fiver of anyone's money though I would have preferred it if some of the photos on display had been slightly larger and there were a few more of them.

There's a book to accompany the exhibition which offers more than what you see on the walls of the gallery, as well as text giving a narrative regarding the images. I would have liked it, but after flicking through kind of thought the price a wee bit steep.



During a time of development and change that has the potential to transform the unique character of London's Soho, this book delves into the area's storied past as a place of disobedience and eccentricity. Opening with a look at Soho through the years, this book includes archival images of Suffragettes learning Jiu-jitsu in a Soho gym, David Bowie preparing to record at Trident Studios and Francis Bacon drinking at the French House. The book then presents the work of photographers who have shed light on Soho's many faces through the decades, including Kelvin Brodie, Clancy Gebler Davies, Corinne Day, William Klein, and Anders Petersen. Also featured is a new series of work by young, up-and-coming photographer Daragh Soden, whose images were specially commissioned by The Photographers' Gallery for this project. These streetscapes and portraits are by turns intimate and haunting, visceral and vibrant, nostalgic and provocative. Throughout the volume, texts narrate a social history marked by subculture and controversy. This book captures Soho as a refuge for marginalised, pioneering, and unconventional people.








Clancy Gebler Davies, The Colony Rooms, 1999-2000 Courtesy the artist

Press Release: Shot In Soho 18 Oct 2019 – 9 Feb 2020

Shot in Soho is an original exhibition presented at The Photographers’ Gallery celebrating Soho’s diverse culture, community and creativity at a time when the area is facing radical transformation.
The imminent completion of Cross Rail (a major transport hub being built on Soho’s borders) in Autumn 2019, makes the area a prime target for development and threatens it existence as a place of unorthodoxy and independence.
Shot in Soho offers a timely opportunity to see the area through the lens of renowned photographers, such as William Klein, through a rare presentation of his candid 1980s Sunday Times commissioned photo essay; Anders Petersen, through a selection of his 2011 Soho series, which capture the neighbourhood with his trademark lyrical melancholy; Corinne Day, whose images take us off the streets into her Brewer St. home where some of her most iconic editorial and personal work was shot; as well as work from less familiar figures such as Times photographer Kelvin Brodie’s night-time forays with police teams, John Goldblatt’s strip club dressing room scenes and Clancy Gebler Davies’s work in The Colony Room Club. The exhibition features a commission from artist, Daragh Soden who will present a new body of work focusing on Soho’s reputation as a place of connection, performance and the pursuit of love.
For full up to date information, go to the Shot In Soho exibition page.

There was also a second exhibition in the Gallery which was enjoyed...


Feast for the Eyes – The Story of Food in Photography

Exploring the rich history of food photography through some of the leading figures and movements within the genre including: Nobuyoshi Araki, Nan Goldin, Martin Parr, Man Ray, Cindy Sherman, Wolfgang Tillmans and Weegee.
Encompassing fine-art and vernacular photography, commercial and scientific images, photojournalism and fashion, the exhibition looks at the development of this form and the artistic, social and political contexts that have informed it.
Food has always been a much-photographed and consumed subject, offering a test ground for artistic experimentation and a way for artists to hone their skills. But even the most representative images of food have rarely been straightforward or objective. Food as subject matter is rich in symbolic meaning and across the history of art, has operated as a vessel for artists to explore a particular emotion, viewpoint or theme and express a range of aspirations and social constructs. With the advent of social media, interest in food photography has become widespread with the taking and sharing of images becoming an integral part of the dining experience itself, used as instant signifiers of status and exacerbating a sense of belonging and difference.
Feast for the Eyes looks particularly at how food is represented and used in photographic practices and brings together a broad-range of artists all of whom harness the history and popularity of food photography to express wider themes. Crossing public and private realms the works on show evoke deep-seated questions and anxieties about issues such as wealth, poverty, consumption, appetite, tradition, gender, race, desire, pleasure, revulsion and domesticity.
Presented over two floors, and featuring over 140 works, from black and white silver gelatin prints and early experiments with colour processes to contemporary works, the exhibition is arranged around three key themes: Still Life traces food photography’s relationship to one of the most popular genres in painting and features work that is both inspired by the tradition and how it has changed in the course of time. Around the Table looks at the rituals that takes place around the consumption of food and the cultural identities reflected through the food we eat and people we eat with. Finally, Playing with Food shows what happens when food photography is infused with humour, fun and irony. The exhibition will also feature a number of magazines and cookbooks which provide an additional visual and social history of food photography.
Feast for the Eyes traces the history and effect of food in photography, simultaneously exploring our appetite for such images while celebrating the richness and artistic potential of one of the most popular, compulsive and ubiquitous of photographic genres.

Review

“a sugar rush of a show... ‘Feast for the Eyes’ proves it’s fun to play with your food.” — Timeout ★★★★☆ 

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Celebration over for another year - home and feet up! 
Thanks to my wife for her amazing company!

Monday, 4 November 2019

2 BY DAVID GOODIS

Another author who I have had on the shelves for a few years and despite hearing how good he was, someone I still haven't got around to reading....... David Goodis




David Goodis penned about 18 novels in his relatively short lifetime. Retreat From Oblivion was his debut published in 1939. Somebody's Done For was his last in 1967 the year of his death, aged 49.

From Fantastic Fiction......

David Goodis is one of the most admired American noir writers of the last century. Goodis worked in Hollywood for Warner Brothers but in 1950 he returned to his native Philadelphia and continued to write paperback novels about man's inexorable decline into despair. He died in obscurity in 1967.


Cheery stuff then...... 2 from 4 .......


Dark Passage (1946)



David Goodis is one of the most admired American noir writers of the last century. In this book, first published in 1946, Vince Parry, sentenced to life imprisonment in San Quentin for the murder of his wife, escapes. He tries to find out who framed him in an attempt to prove his innocence. He is harboured by a woman he doesn't trust, he is a fugitive from justice in the depths of despair. Parry's last throw is a desperate gamble to hide his identity from the law. Filmed in 1947 by Delmer Daves at Warner Brothers and starring Humphrey Bogart and Lauren Bacall - it became a classic noir movie.







The Moon in the Gutter (1953)

In a back street in the rough end of Philadelphia, docker William Kerrigan obsesses over the mysterious suicide of his sister. Into a dive bar walks Loretta Channing the beautiful, enigmatic socialite and sister of Newton the drunk. For Kerrigan, Loretta's the impossible dream, the escape route from out of his hellhole existence, away from the crowded tenements, the shacks, the dark alleys. But Loretta may also hold the key to finding out what prompted his sister's death, the reason he can never break free. The Moon in the Gutter is a fierce and heated tale of desire and revenge. Made into a film starring Gerard Depardieu and Nastassia Kinski, it remains an enthralling classic of American noir fiction.


OWEN MULLEN - DEADLY HARM (2019)


Synopsis/blurb.....

It’s been five years since Mackenzie Darroch was abducted and held captive in a derelict house. 

She thought she'd found her way out of the darkness. She was wrong.

When she witnesses a car crash and saves the driver’s life, it sets in motion a chain of events that will alter both their futures. 

The two women get involved in a high profile police case and draw the attention of a ruthless reporter. Gina Calvi is convinced Mackenzie is not what she appears and is prepared to do anything to prove it.

Meanwhile, across the city, Kirsty McBride, a young single mother, is persuaded to leave a violent relationship. Her partner, Malkie Boyle a Glasgow hardman, is due to be released from prison. Once back on the street and bent on revenge, Boyle is determined to find the people responsible for stealing his family from him. 

Can Mackenzie save them or will Boyle get his revenge?


Owen Mullen is the best-selling author of In Harm's Way. Deadly Harm is a loosely connected sequel, but can also be read as an unmissable stand-alone. An electrifying psychological thriller, it will appeal to fans of authors like Mark Edwards, Gillian Flynn and Ann Cleeves

A bit of Scottish crime and a fast-paced story combining domestic abuse, murder, revenge, journalistic ambition and a dash of romance.

I read Mullen's In Harm's Way which features several of the characters encountered in this book. Mackenzie Darroch was a victim in the previous book, Andrew Geddes was a cop. Mackenzie is now running a refuge for abused women and Geddes is still a policeman. Their paths cross when Geddes tries to get Mackenzie to help a young girl and her baby. Kirsty and her child are at risk from an abusive partner, though have little confidence in any of the authorities. In addition to the limited assistance she provides to the girl, our lead also gets sucked into providing some off the books support to another traumatised victim, currently receiving sanctuary at the refuge she runs. Caitlin has been saved by Mackenize once, getting rescued from her crashed vehicle after fleeing her husband in the dead of night. Lightning strikes twice when he tracks her down and attacks her. Events spiral out of control, hasty actions are taken and rash decisions are made. Decisions from which there is no turning back.

The book moves fairly quickly and with several story lines running through the narrative and over-lapping - Caitlin, her husband and the aftermath; young Kirsty, the authorities, the scrote of a boyfriend - Malkie Boyle and a vicious lesson taught; Andrew Geddes, his colleagues, his cases, his boss, his solitude, his attraction to Mackenzie. Mackenzie herself is juggling a few balls - the refuge, the well-being of her charges, the guilt over perceived failings especially concerning Kirsty, another victim to save, a relationship with Andrew, secrets she's holding, and the attentions of a journalist on the hunt for a headline. Malkie Boyle and the manhunt for him and his re-connecting with his estranged grandfather also provides the book with more excitement and mileage.

I probably found some of the actions taken a wee bit implausible and a bit of a stretch to accept. The initial knee jerk responses to certain situations I was fine with, the subsequent decision making afterwards, I was less convinced by. Additionally, the willingness of the journalist to debase herself for a lead on her story was also a bit ..... hmm, really? That said I was prepared to stick with the author and the book and see where we got to. And we got there fairly quickly.

Plenty of excitement, decent characters you could root for, as well as a few individuals you could take against, interesting setting in semi-rural Scotland, with a few trips to slightly better known locations - Glasgow and the coastal town of Ayr. Lots to like here, without being the best book ever.

3.5 from 5

Owen Mullen has been read before - Out of the Silence (2019) and In Harm's Way (2018)

There's a few more from him on the TBR pile.

Read - November, 2019
Published - 2019
Page count - 369
Source - review copy from author
Format - Kindle file read on laptop

Sunday, 3 November 2019

LAWRENCE BLOCK (as JILL EMERSON) - SHADOWS (1959)




Synopsis/blurb.....


One morning in the spring of 1958 I woke up in my room at the Hotel Alexandria with a paralyzing hangover (which was not unusual) and an idea for a book (which was). I sat in front of my typewriter, and within a few hours I had produced a chapter-by-chapter outline of a novel. I had all the characters sketched out and knew how they'd relate to one another, and how the rather elementary storyline would resolve itself. I even had a title: Shadows. At the time I was working as an editor at a shady literary agency, but I'd already arranged for my departure, as I'd be resuming college in the fall in Ohio. Sometime in May I gave up my room at the Alexandria and went home to Buffalo, where I turned that outline into a book. My agent sent it to Crest Books, then the country's premier publisher of lesbian fiction. They spent a couple of months reading it and thinking it over, during which time I wrote and sold several lesser books to Harry Shorten's Midwood Books. Then, a couple of months after I'd returned to Antioch and gone through a lot of sturm und drang that needn't concern us here, Crest accepted Shadows. They changed my title to Strange Are the Ways of Love. They also changed my pen name. I'd known a lesbian novel ought to have a woman's name on it, and I picked one. They decided on Leslie Evans instead, so it could be gender-neutral, and then switched it to Lesley Evans, which made it more specifically female. Welcome to publishing, young man. It's clear to me now, almost 60 years later, that the book ought to set sail under its original title, and since I'm republishing it myself, that's a decision I get to make. It's also clear to me that Shadows is in fact Jill Emerson's very first novel, as it's far more of a piece with Warm And Willing and Enough of Sorrow than with anything else I've written. So that's how I'll publish it, right? As Shadows, dammit, by Jill Emerson.

Another early Block book listened to on the way to and from work. Another one about a woman confused over her sexual identity, gay or straight, another trip to the New York village over half a century ago and another one that was enjoyed but won't live too long in the memory banks.

Slightly annoying main character, her confusion over her identity not really the problem, more her whishy-washy inability to be up front and straight with the male love interest Mike. Laura, her female love interest was more interesting and likeable. The main character, I can't even remember her name.

A trip to New York, a trip down memory lane and a remembering of her first unsatisfying sexual experience, a trip to a lesbian bar, a chance encounter, exciting possibilities, a young singer, a friendship, a rebuttal or two, a couple splitting up, a hook up and a romance, heartbreak, depression, rape, a continued pursuit, another break-up an audition and a possible happy ever after.

3 from 5

Read (listened to) - October, 2019
Published - 1959
Page count - 198 (4 hours 23 mins)
Source - Audible download code from author's assistant
Format - Audible

Saturday, 2 November 2019

JOHN FARROW - BALL PARK (2019)


Synopsis/blurb......

Montreal, 1975. Detective Emile Cinq-Mars is transferring from the Night Patrol - the notoriously tough department of officers in charge of watching over the city as it sleeps - to the day shift. His old superior has seen to it that he's assigned to partner Yves Giroux, another ex-Night Patrol detective some say isn't on the 'up and up'.

Getting in a house is easy for thief Quinn Tanner. The stress comes in getting out clean. On finding her getaway driver dead after her latest heist, she goes underground.

For his first case on the day shift, Emile is sent to the property that Quinn has just visited, and their paths are set to cross. But has she stolen something more valuable than she realizes . . . and who is hunting for her now?

Ball Park is the seventh novel in John Farrow's Emile Cinq-Mars series but my first encounter with the policeman from Montreal. Definitely not my last though after this thoroughly engrossing read.

A cop with a new partner and new boss, a young thief, a burglary gone wrong, a dead getaway driver, a retired safe cracker, a fence with a past, a mob boss, his cheating daughter, her dead husband, a missing baseball with a history and a story to tell, a weed dealer with no name, an alliance of sorts, a hunt, a kidnap, a rescue plan, a mobilisation, a negotiation, a confrontation or two and a helluva lot more.

Ticks in pretty much every box. I liked the setting of the novel in regards to the city of Montreal and the timing - 1975, a year before the Olympics comes to town. There's also the duality of the culture with the mix of French and English, as well as the division of the city neighbourhoods between the haves and the have nots.

Our main character, Emile Cinq-Mars is interesting. No emotional baggage as such, though he's single and thinks about his-ex a fair bit. He's trying to establish himself with a new group of peers, in particular his partner who may or may not be a little bit dirty. He's intelligent and a bit of a risk-taker. We also spend a lot of time with Quinn, the thief who sets a whole chain of events in motion. We probably get more of her back story than Emile's. We get in her head and understand her psyche..... her relationship with her father, her sense of purpose, her rules for stealing, her strategizing, her manipulation of people, the sense of always being on the outside of things, her isolation, her solitariness. The relationship between the two throughout the book is one of the highlights...... initial mistrust, moving onto more solid ground, plenty of humour, possibly a bit of flirting, some earned respect and maybe by the end a kind of friendship.

The plot I could buy into, an event, consequences and a snowball effect which brings into play a disparate bunch of characters with conflicting agendas and resulting in a few casualties along the way. The outcome didn't disappoint either.

Reasonable pace throughout, events happen quickly, things keep moving, but it never seems rushed. Not over long either with my copy weighing in at a bit over 250 pages. I didn't feel as if I was missing a trick by entering the series at this book either. Lots to recommend it and it's definitely a series I will be reading more from, both earlier books and any future ones the author cares to write.

4.5 from 5

John Farrow is the pseudonym of Canadian author, Trevor Ferguson.

Read - October, 2019
Published - 2019
Page count - 267
Source - Net Galley courtesy of publisher, Severn House
Format - ePub read on laptop